Childhood:
Paul-Emile Borduas was a Quebec artist born in Saint-
Hilaire
on Novemeber 1st, 1905 . He was the fourth child. His
father
was Magloire Borduas, a carrier, and his mother was Éva
Perreault. His first known artistic activity was
bricolage. He only
received
five years of primary school education- to age twelve.
When
Borduas was sixteen he became the apprentice of Ozias
Leduc,
a Quebec church painter. Borduas learned all of his basic
skills
from Leduc. He also helped young Borduas get into the
Montreal
fine arts school.
Backround: The Quebec in which Borduas lived in
was vastly
different from modern-day Quebec. He began his
work as painter
in the 1940's. This period as marked by extreme
conservatism and
religious ideas. The prime minister at the
time, was a religious man with
questionable ideas . His ideas where
not questioned at the time. Borduas was one of the few who openly opposed the
ideas represented in the time. As a painter, Borduas showed his opposition to
the strict nature of his society through his artwork.
Influences: His mentor and teacher, Ozias Leduc
as well as
Borduas had a tremendous influence of Quebec art
as well as Quebec culture. In , he
created a group named the Automatists. The Automatists were a group of young
artists with similar negative feelings towards Quebec's rigidness. They
expressed their dissatisfaction through their abstract, surrealist art. The
group\s main concept was that true art is automatic. Artists should not learn
their techniques in an art school. Artists should not wait for inspiration to
strike them. True art came without thought. It was free of inhibitions and
worries as well as social norms. When an artist made an automatic art piece,
they were learning about themselves in a way that would not be possible with
though-out artwork. This kind of artwork allowed the artist to let their
feelings, thoughts and emotions flow out in a truthful, natural manner.
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